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Jim Pileggi's present-day profession is joined
closely to 10 generations of craftspersons.
Jim , a University of Delaware graduate, has carved
out a niche building classic furniture, a craft that's been
practiced by his family for nearly 300 years. Through his mother,
Jim is a descendant of John Adams, one of the first landowners
in the Plymouth Colony established in 1621. Since the 18th
century, his ancestors have worked as coopers ( barrel
makers), carpenters and cabinetmakers.

Jim, didn't embrace the traditional
family occupation right away. After graduation with a degree
in psychology, he was hired as a program director foe a Salem,
N.J., YMCA and , a few years later,he directed a community center
in Claymont, Del. All the while , he recalls an inner voice
called to him.
" For a long while, I didn't know what
it was, but I guess I had to go through a process of elimination,"
says Jim. " Applying for grants and schmoozing wasn't something
I found satisfying."

What did capture his fancy was
working with wood., building desks and bookcases as well as
restoring old furniture. In the summer of 1984, with support
form his wife, Pam, Jim embarked on a full-time career in woodworking.
He began custom-crafting Shaker furniture-a
simple, yet elegant, style that reflects the life of the 19th-century
religious community. Within a year, he had outgrown the garage
of his Middletown, Delaware home. He scoured the region for
a suitable site for a woodworking shop and settled on Delaware
City, Delaware. He designed and built his shop on a vacant lot
on Clinton Street in what had been, until 1930s, a thriving
canal town.
Inside his shop, a fresh collection of handsomely
designed furniture in American and Shaker traditions lines the
far wall- dressers, blanket chest, standing desks, a Shaker
candle stand and Shaker harvest and trestle tables.
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In researching the Shaker traditions,
Jim and his wife, Pam, have traveled numerous times to Shaker
museums in New Hampshire, Vermont, New York and Massachusetts.
" The furniture from the 19th century
is very well-made," says Jim. "The Shakers used hand
tools to scrape each piece of wood until you could see your
reflection. We continue that tradition, but with a selective
use of more modern tools such as mechanical sanders, shapers,
table and bandsaws. It allows us to draw from the best of both
worlds."
He rubs coarse sandpaper across a tabletop
to gradually heighten the subtle colors of the wood grain, bringing
pigments to the surface.
Jim says that the simple style of the furniture
he constructs allows him to reveal some intriguing grains i
the hardwoods he employs - American black walnut, black cherry
and white ash.
"They are well suited for furniture making,"
he says, reaching for a board. " They stand up to use.
This walnut has red and yellow streaks, which makes it a very
interesting piece to look at. I go to a lumber yard in southeastern
Pennsylvania with my moisture meter and pick and choose the
boards. All of our woods are kiln dried."
He finishes each piece with tung oil or varnish,
both of which enable the naked beauty of the wood show through.
Over time, sunlight darkens the wood. Jim signs and dates each
of his hand-crafted pieces and stamps them with his logo, Adams
Woodworking.
He reports that some of his cousins in the Shenandoah Valley
have furniture built by Adams' family members dating back to
the time of the Revolutionary War and that his great-grandfather
constructed on of the old canal boats that navigated the C &
D Canal just outside his shop window.
"Success for me is creating beautiful
and functional furniture that's pleasing to people who appreciate
this craft," he says. " It would be an honor to have
some of my pieces treasured by my relatives generations from
now."
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